Touch House, dating back to the 15th century, is situated in 3750 acres of beautiful woodland and farmland. The house has been considerably extended and improved over the centuries.

Passing beneath the little pediment immediately above the front doorway, you enter the front hall with the bottom of the stair framed by stone pillars, and beyond these you look up to the cupola with the staircase curling up to it. On the left of the hall there is the Morning Room which, like all the ground floor rooms, is of a similar height to the hall.

On ascending the stairs to the first floor, the plasterwork on the ceiling in the drawing room and next door in the Dining Room and in the Music Room on the top floor are the work of Thomas Clayton. The timber for the panelling in these rooms came from the Baltic ports of Gottenburg and Riga

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Opposite the Drawing Room door a passage leads to the 16th century panelled bedroom and proceeding up the stairs a small curved door half way up, takes you to the Old Library.

Continuing up the front stairs to the top landing; on the right is the Music Room with another fine ceiling by Thomas Clayton. Musical instruments surround the central motif of an Apollo’s head in a sunburst. On display are old estate maps drawn in 1810, together with other papers documenting the development of the house and estate. Adjoining the Music Room is the Heather bedroom, with unusual linen wall hangings.

Before descending the stairs to the hall it is worth noting the plaster work round the bottom of the cupola. This particular design was, some say, unique to Robert Adam, but as we know that the Master Plasterer, Clayton, did much work for Adam he would hold the moulds and may have made use of them whenever he had occasion. In 1976 the cupola (which is 16ft across) split open in a gale and was replaced. Beneath the lead on the top a note was found stating the cupola had been replaced in 1860. The 1758 original had therefore lasted 112 years, and its replacement almost exactly the same number of years.